The DP7 is an award winning, pre-packaged set of seven premium microphones for live sound and recording. The microphones in this kit work in tandem to catch the explosive sound of drums and percussion naturally and without distortion. The D6 for kick drum and the i5 for snare became business standards for drummers and sound engineers. With the addition of the ADX51 condenser mics used as overheads, the complete sound of the drums may be captured with unbelievable, realistic detail. Also included in the kit are four DVICE tension fit mounting clips for snare and toms. All mics and accessories are conveniently packaged in a bubble-lined aluminum road case for safe keeping throughout travel or when the mics aren't in use. The DP7 will include: 1… . D6 for kick drum 1… . I5 for snare 2… . D2 for rack toms 1… . D4 for floor tom 2… . ADX51 for overheads 4… . DVICE gooseneck rim mount clips 1… . DCLIP for D6 1… . Aluminum road case 1… . "How to Mic Drums" video.
This miniature condenser microphone achieves full-sounding KSM32/SL pickup and is recognized for remaining consistency and reliable performance. Supplied with both a clothing clip and guitar mount, it gives natural and articulate vocal reproduction when used as a clip-on lavalier and excels in pickup of acoustic guitar. The PRO 70 is intended to make music and speech obviously and comfortably audible, still never draw attention to itself or its operation. The microphone comes with a low-frequency roll-off switch that lets for reduced pickup of room sound. The versatile PRO 70 can be powered by either battery or phantom power. Its cardioid polar pattern decreases pickup of sounds from the sides and rear, improving separation of the wanted sound source.
With pristine audio quality, super-low handling sound, and high-frequency clearness, Audio-Technica&'s AE3300 gives voice to the subtleties of vocal performance. This cardioid condenser vocal microphone features the condenser element used in the legendary AT4033 and proven in the world&'s finest recording studios. The hardened-steel outer grill is lined with good steel mesh and a level of open-cell bubble for final protection against vocal plosives without compromising high-frequency clearness. Its superior anti-shock engineering assures low handling sound and calm performance. For exceptional performance. For exacting detail. For smart clearness: AE3300. It&'s the new standard in live audio.
NOTE: 1. The Condenser Microphone only works with the device that could supply enough power (Voltage Rquired:5V) for it. When connected with desktop computer, the Microphone may be used alone; When connected with laptop computer, connect the laptop to electrical outlet, or use a 48V phantom power to get enough power if the sound isn't clear and high enough. 2. If your device couldn't supply enough power(when used with Amplifier or Mixer, etc. ), the sound volume recorded may be low, and use a extra 48V phantom power adapter to connect it. (phantom power adapter isn't included). 3. The microphone can't be used with mobile phone and tablet computer. 4. If you want better sound effect, a sound card should be used. 5. When recording, put the microphone away from the amplifier to prevent recording sound caused by amplifier. (1)NW-700 Condenser Microphone Has a cardioid pick-up pattern that isolates the major sound source and minimizes background sound, highlighting the performance with smooth frequency answer range for best vocal. Gold-sputtered diaphragm for correct sound reproduction. Low sound, large dynamic range and high sensitivity output. Body Weight: 11oz/316g Color: Black Material: Metal (1)Tripod Boom Floor Stand with Clip This model boasts hybrid sheet METAL and composite leg housing, making it lightweight and unbreakable. Professional quality die-cast zinc clutch locks vertical shaft at any height from 13 to 20 inches. Height Adj. : 13"-20"/32cm-52cm Boom Length: 10"/25cm (1)Wind Screen Pop Filter Mask Shield (1)Metal Shock Mount (1)Ball-type Anti-wind bubble Cap (1)Audio Cable: Length: Approx. 2. 5m/8. 2feet.
Weighing only 18 grams (0. 6 oz. ), this super-light condenser pickup is ideal foracoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesivecompound. The 411 L variant comes with a mini XLR connector for use with B 29 L battery operated power supply, MPA III L external phantom power adapter, or AKG WMS bodypack transmitters.
The D 112 has earned a well-deserved repute global as the best kick drum microphone ever made. Heavy-footed drummers won&'t faze it, because the D 112 handles up to 160 dB SPL with no audible distortion. A specially engineered diaphragm with a low resonance frequency maintains hard and powerful answer below 100 Hz, when a narrow band presence rise at 4 kHz punches through concentrated combinations with little or no added EQ. The result is a kick drum sound that ideally balances exact meaning and forceful affect. The D 112 is an excellent choice for use with bass cupboards, trombones, etc. Fitted windscreen, SA 60 stand adapter included.
The Shure Beta 56® A microphone has a frequency answer exactly tailored for drums and instruments. Its very uniform supercardioid pickup pattern gives high get-before-feedback and excellent rejection of unwanted sound. A built– in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, if it's struck by a drumstick. Common Beta 56A applications include close miking of tom– toms and other percussion instruments, also as guitar amplifiers, brass instruments, and woodwinds.
The PG56 Cardioid Dynamic Snare/Tom Microphone is a professional quality microphone with greatly lasting design and construction that delivers excellent sound. Featuring a swivel joint with a fast release latch for fast and adaptable positioning, the PGA56 is ideal for close-mic snare drum, tom and percussion applications.
The Audix ADX51 Instrument Condenser Microphone is a studio workhorse! The ADX51 is a pre-polarized condenser microphone intended to manage a large range of live, studio and broadcast applications. Distinguished with a cardioid pickup pattern and a smooth uniform answer over a frequency range of 40-20k Hz, the ADX51 is precision machined from hard brass with a low reflective black e-coat finish. The ADX51 is intended with low sound electronic circuitry, balanced output, and switches that enable a 10 dB pad and a bass roll-off. The ADX51 is road-respectable and able of handling high sound pressure levels of 142dB. The Audix ADX51 is an excellent overhead for Drums and Percussion, Bells, cymbals, hi-hat, and goodie tables. It also excels at miking acoustic instruments like acoustic guitar, piano, saxophone, orchestra (zone miking), also as group vocals- the ADX51 can be used as a hanging microphone or on a stand to pick up group vocals for ensemble, choirs or plays. Two microphones can be located overhead or in front of the group, at a distance of roughly 4-6 feet separately. The ADX51 is certainly a great addition to any microphone arsenal, studio or live. ADX51 Applications Overhead for Drums / Percussion Acoustic instruments Group vocals.
YPA M613 unexplained Cardioid Condenser Microphone The M613 is a cardioid, mini-condenser instrumental microphone with in-line preamplifier is intended to obviously catch the sounds of today's professional horn players. The pickup pattern of the M613 gives high get-before-feedback and excellent rejection of unwanted sound. With a high maximum sound pressure level (SPL), the M613 is prepared to manage the demands of brass and woodwind instruments, and is a strong performer for percussion applications. The transformerless preamplifier circuitry of the M613 improves linearity across the full frequency range. In situations where phantom power isn't available, the A63P preamplifier will perform very. The integrated gooseneck and ratcheting swivel joint of the M613 lets for easy microphone positioning and securing. Once the position is determined, the gooseneck angle brace assures that the M613 will stay in place throughout the most active performances.
The Drum5 is equipped with 2 MD4 snare/tom mics, 1 MD5 kick mic, 2 MD3 condenser overhead mics and 2 drum mounting claws. The foundation of your recording is highlighted by the snap of the snare captured by the MD4 then the thump of your kick via the MD5. Rounding out the in general sound of your kit the MD3 overheads add a smooth and articulate finish to your recording or live performance.
Assembled entirely by Austin Bazaar, this bundle has everything you have to start playing right out of the box, as well as Four Mics, Gearlux Mic Bag, XLR Cables, and Austin Bazaar Polishing Cloth. The legendary Shure SM57 is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency answer, the SM57 is ideal for live sound reinforcement and recording. The SM57 has an very efficient cardioid pickup pattern that isolates the major sound source while minimizing background sound. In the studio, it's excellent for recording drums, guitar, and woodwinds. Remaining performance, dependability, and application diversity make this "workhorse" the choice of performers, producers, and sound engineers global. FeaturesContoured frequency answer for clean, instrumental reproduction and rich vocal pickupProfessional-quality reproduction for drum, percussion, and instrument amplifier mikingUniform cardioid pickup pattern isolates the major sound source while decreasing background noisePneumatic shock-mount system cuts down handling noiseExtremely lasting under the heaviest useFrequency answer: 40 to 15, 000 HzReplacement cartridge: R57.
The JTS CX-500F features a full range omni directional condenser capsule with gold plating inside and out. The very flat frequency answer makes this microphone perfect for use with all types of flutes. The dynamic design of the mic holder lets the CX-500F to firmly mount to flutes of different sizes while the soft grip dual injection design lets for a hard mount without fear of scratching your instrument. The adaptable mini gooseneck makes correct microphone positioning a snap while minimizing breath sound and blasts.
The SM94 is a unidirectional electret condenser microphone tailored to the instrument miking needs of professional musicians and sound engineers in both live performance and sound recording. Its smooth, flat frequency answer is free of either a presence peak or a low-frequency rolloff, making it a perfect choice for all types of musical instruments.
Will include 1 year free expanded warranty. The DP5A drum pack holds the fi ve microphones obliged to mic a regular rock kit: kick, snare, rack toms and floor tom. Perfect for stage or studio, this selection of dynamic mics features exclusive Audix VLMTM capsule technology off ering correct sound reproduction in high SPL applications. Mic clips, mounts and rugged aluminum carrying case are included. The D6 for kick drum and the i5 for snare are considered must haves for each drummer. The kick and snare are considered the core of any drum kit and the foundation for each groove. Close miking insures that they'll be captured in the mix. If either the kick or the snare is unable to be heard, there's simply no groove. The D2 and D4 are business standards for toms and fl oor toms. Being high SPL dynamic microphones, the i5, D2, D4 and D6 excel at "close miking". These four microphones, in conjunction with this miking technique, are guaranteed to catch the attack and percussion sound of each drum. Also, by having the mic close to the supply of the sound, it assists to separate and control the sound of each drum. The DP5A lets for total control of your drum sound on stage or in the studio.
Description: Dizaul mini condenser microphone is intended specially for mobile phone and Tablets PC. It's easy to plug and play straight to you PC, Laptop, Tablets, Mobile Phones without installing any drives. What you need is just a seperate adapter cable (as well as in the package). It features mini exquisite look, easy to carry and offering a crystal sound for phone calls, internet chatting, vocal recording. This microphone are well-matched with all windows PC. Key Features: ● When connected with Desktop/Laptop Computer, this microphone may be used alone. ● When connected with Smartphones or Tablets PC, a adapter cable should be used -seperating headset and microphone plug. ● When you use the microphone to sing songs on the phone, only the Apple phone has monitor effects (when singing you may be able to hear your voice). Using Android phones you may be able to only hear own voice when playback, because Android doesn't support this feature. ● Works with Karaoke Apps just on your Apple(ios system) device. But a KTV software should be installed 1st in your devices ● If you want better sound, a sound card should be used. ● This mini microphone isn't well-matched with phantom power. Parameters: ● Transducer Type: Condenser ● Polar Pattern: Cardioid ● Plug:3. 5mm ● Voltage Supply:1. 5V ● frequency answer: 30HZ-20KHZ ● wiring length:1. 5M Package will include: ● 1x Dizaul Mini Microphone ● 1x Seperate Adapter Cable ● 1x Holder ● 1x Manual.
I3C Mini Microphone Mic for Voice Recording Instrument Microphone for Laptop Apple iPhone Sumsung Android with Holder Clip Specification: Dimension: 0. 75 x 2. 3 inches Transducer Type: Condenser Plug:3. 5mm Operating Voltage:3V Frequency answer: 30HZ-20KHZ Be well-matched with Apple iPhone, iPad, iPod Touch, Android & Windows Smartphones. Package include: 1x Dizaul Mini Microphone 1x Seperate Adapter Cable 1x Holder 1x Manual If you have any other question do not hesitate to contact us.